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I want to be in rooms full of people I love.
The world goes white then green again
like the mind telling the body it is not alone.
The body saying something I can almost hear
above the sound of a dog barking
because he feels himself tied and tremendously alone.
Who would you believe?
I walk the great streets of New York City
where many great people have lived
and think how great it is to live and die on earth
even if it means having known nothing
of the why. Nothing of the why.

Alex Dimitrov (2013)

From Alex Goldman, former co-host of the Reply All podcast:

“I think what I have come to realize from the past few months of Twitter’s rapid decay, and my dalliances with its competitors is that most people want two different things from social media, and they are essentially irreconcilably in conflict. On the one hand, I want as vast a reach as possible – I am very glad to have had Twitter over the past decade to promote things I make, ask questions of the crowd, interact directly with people who are much too famous or obscure for me to have met any other way. I have made close friends and met musical and journalistic collaborators on Twitter.

The downside of everyone being is one place is that everyone has as much access to you as you do to them. Every crank and weirdo on the internet can make a twitter account and start a fight with you for any innocuous post. Which is, of course, how we get twitter discourse, main characters, and so on, but it doesn’t actually feel all that fun. Posting on twitter right now is the social media equivalent of counting the seconds between lightning and thunder. You post, and then you can only hold your breath before some drive by dipshit comes by to pick a fight with you.”

From an interview with Ben Thompson of Stratechery:

“For all the issues with tech and tech media, it’s just a minor sub-segment of this broader shift in how media works and in how public discourse works in public opinion formation and public debate happens. That media landscape I would argue has been changing for a very long time, it’s certainly been going through a high rate of change, I would argue even pre the Internet with the arrival of talk radio and then cable television. But certainly the Internet has accelerated that change so I think the whole landscape is changing.

There’s this endless tension on the media side: if you ask journalists what their mission in life is, they’ll basically usually tell you two things, which is to objectively report the truth number one, and then number two, speak truth to power. Or they sometimes say, “Comfort the afflicted and afflict the comfortable.” There’s an inherent tension between those two poles because are you trying to equally represent all sides or are you trying to specifically take a stand, presumably on behalf of the people against power? I would characterize it as the entire media broadly is trying to navigate its way through that question of goals and then trying to navigate its way through what have been profound changes in technology in the media landscape.

A lot of those changes have been caused by tech. Like I say, we in many ways are the dog that caught the bus in this industry, which is we did cause some of these changes to happen. So those changes, the system has to work through those changes. Does the system ever stabilize ever again in the same way that it had in the 1950s or 1960s? I think probably not and so as a consequence, I think the whole landscape probably will stay unsettled for a very long time. I don’t know what it’ll look like in a decade, but I think people like me are going to have to adapt just like everybody else.”

From Mark O’Connell for The Guardian: “Among Irish people old enough to remember the summer of 1982, Malcolm Macarthur is as close to a household name as it is possible for a murderer to be. He grew up in County Meath in the east of Ireland, on a grand estate with a housekeeper, a gardener and a governess. In his 20s, he received a large inheritance, and lived well on its bounty. But on the brink of middle age, he found he was going broke. At the time, the IRA was conducting a campaign of bank heists to fund their struggle. Macarthur was a clever and capable man, he reasoned, and so why should he not be able to pull off something along those lines? But he did not bring off the heist; in the effort to attain a gun and a getaway car, he murdered two complete strangers.”

Why those who are dying often experience a sudden burst of lucidity

Jordan Kinard writes for Scientific American: “For decades, researchers, hospice caregivers and stunned family members have watched as people with Alzheimer’s or other forms of dementia suddenly regain their memories and personalities just before death. To their family members it might seem like a second lease on life, but for experienced medical workers, it can be a sign the end is near. Christopher Kerr, chief executive officer and chief medical officer at the Center for Hospice and Palliative Care in Buffalo, N.Y., has studied the lucid visions of several hundred terminally ill people. He says these events “usually occur in the last few days of life.” Such ‘terminal lucidity’ is defined as the unexpected return of cognitive faculties such as speech and ‘connectedness’ with other people.”

Note: This is a version of my personal newsletter, which I send out via Ghost, the open-source publishing platform. You can see other issues and sign up here.

Continue reading “A conversation with Ireland’s most notorious murderer”

Franks Mayancha and Francesca Mezzenzana write at Slate: “The story of four children’s 40-day survival after a plane crash, in a remote stretch of the Amazon rainforest in Colombia, has gripped the world’s imagination since their rescue on June 9. Traumatized by the loss of their mother a few days after the crash, the siblings were stranded, left to fend for themselves, with no immediate access to water, at continuous risk of encountering predators, venomous snakes, and poisonous plants. Conjuring images of hope and resilience in such a remote place, this story has left many in a state of admiration and surprise. But we feel that a crucial aspect of the story has been overlooked.”

What life is like inside North Korea

From the BBC: “On 27 January 2020, North Korea slammed shut its border in response to the pandemic, stopping not just people, but food and goods, from entering the country. Its citizens, who were already banned from leaving, have been confined to their towns. Aid workers and diplomats have packed up and left. Guards are under order to shoot anyone even approaching the border. The world’s most isolated country has become an information black hole. Under the tyrannical rule of Kim Jong Un, North Koreans are forbidden from making contact with the outside world. With the help of the organisation Daily NK, which operates a network of sources inside the country, the BBC has been able to communicate with three ordinary people.”

Note: This is a version of my personal newsletter, which I send out via Ghost, the open-source publishing platform. You can see other issues and sign up here.

Continue reading “How four children survived for 40 days in the jungle”

From Patrick Whittle for AP: “Roger Payne, the scientist who spurred a worldwide environmental conservation movement with his discovery that whales could sing, has died. He was 88. Payne made the discovery in 1967 during a research trip to Bermuda in which a Navy engineer provided him with a recording of curious underwater sounds documented while listening for Russian submarines. Payne identified the haunting tones as songs whales sing to one another. He saw the discovery of whale song as a chance to spur interest in saving the giant animals, who were disappearing from the planet. Payne would produce the album “Songs of the Humpback Whale” in 1970. A surprise hit, the record galvanized a global movement to end whale hunting.”

If AI software creates a new episode of Seinfeld, is it copyright infringement?

Aharon Schreiber writes: “On December 14, 2022, a new season of Seinfeld debuted on the streaming site Twitch, airing continuously, 24 hours a day, every day for a few months. Ok, not really. The AI generated Seinfeld parody “Nothing, Forever,” did run 24 hours a day until February 6, 2023, but the show was completely procedurally generated via artificial intelligence. While the show was pretty well received, with even the official Seinfeld twitter account linking to the Twitch channel, “Nothing, Forever” opens up a series of new questions regarding the intersection of copyright law and artificial intelligence. Most importantly, does Seinfeld, Jerry, the actors, NBC, or any other person or entity with rights to Seinfeld the show have a copyright claim against “Nothing, Forever?”

Note: This is a version of my personal newsletter, which I send out via Ghost, the open-source publishing platform. You can see other issues and sign up here.

Continue reading “The scientist who found out that whales could sing”

From Patrick Whittle for AP: “Roger Payne, the scientist who spurred a worldwide environmental conservation movement with his discovery that whales could sing, has died. He was 88. Payne made the discovery in 1967 during a research trip to Bermuda in which a Navy engineer provided him with a recording of curious underwater sounds documented while listening for Russian submarines. Payne identified the haunting tones as songs whales sing to one another. He saw the discovery of whale song as a chance to spur interest in saving the giant animals, who were disappearing from the planet. Payne would produce the album “Songs of the Humpback Whale” in 1970. A surprise hit, the record galvanized a global movement to end whale hunting.”

If AI software creates a new episode of Seinfeld, is it copyright infringement?

Aharon Schreiber writes: “On December 14, 2022, a new season of Seinfeld debuted on the streaming site Twitch, airing continuously, 24 hours a day, every day for a few months. Ok, not really. The AI generated Seinfeld parody “Nothing, Forever,” did run 24 hours a day until February 6, 2023, but the show was completely procedurally generated via artificial intelligence. While the show was pretty well received, with even the official Seinfeld twitter account linking to the Twitch channel, “Nothing, Forever” opens up a series of new questions regarding the intersection of copyright law and artificial intelligence. Most importantly, does Seinfeld, Jerry, the actors, NBC, or any other person or entity with rights to Seinfeld the show have a copyright claim against “Nothing, Forever?”

Note: This is a version of my personal newsletter, which I send out via Ghost, the open-source publishing platform. You can see other issues and sign up here.

Continue reading “The scientist who found out that whales could sing”